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  • 14.03.2018.

Podcast 131: DJ Noldar aka Noise Explicit

Dj Noldar aka Noise Explicit, dj i producent je sa 13 godina iskustva. Pušta techno, a možete ga čuti po slavonskim i baranjskim klubovima.

Piše: 


Prošle godine počeo je sa organiziranjem vlastitih partija IFI Party, a promovira house, tech-house i techno. Ima radijsku emisiju svake subote na internetskom radiju The Session Worldwide (USA), a i prije je svirao ili bio resident na Mixed in radiju (Češka), Forced Underground FM (UK) i DreamBase underground radio (Turska).

Dijelio je pult s brojnim poznatim imenima, a produkcijom se bavi već 5 godina. Izdavao je za Undercool Productions, Reload Records, Opensource Division, High Contrast, Life Sentence Rec, Platform 7even, PL7, Beenoise Records, Ganesha Records, Da Music, Radical Traxx, Infected Hard Traxx, Paranoid Traxx Label, SDL Recordings, Zion Records.

Tracklist:
Dax J – Orlok's Symphony (Original Mix)
Krtm – Pigeon (Original Mix)
Remco Beekwilder – Escape From Niburu (Arnaud Le Texier Rework)
Fixon – More Body (Original Mix)
Marla Singer – Unforgotten (Original Mix)
Lee Holman – Urbanite (Original mix)
Gonzo MDF – Destroy (Original Mix)
Atze Ton – Paranormality (Original Mix)
Atze Ton – Monoid (Original Mix)
Atze Ton – Machine Man (Original Mix)
Atze Ton – China Moon (Original Mix)
Atze Ton – The Spirit (Original Mix)
Daniel Blotox, George Makrakis – Kenyszerleszallas (Atze Ton Remix)
Marika Rossa – Something (Atze Ton Remix)
Synaptic Memories – Comatose (Original Mix)
Cleric, Dax J – The Triangle (Original Mix)
Andre Walter, Stigmata – Okiku (Original Mix)
Gonzo MDF – Made in Bayern (Original Mix)
Bertran – Hapless (Martyn Hare Remix)
Stephanie Sykes – Walking Alone (Ansome Remix)
Roman Faero – Darkness Alarm (Atze Ton Remix)
Forest People – Landmark (Original Mix)
Qle – M001 (Mikadroid Remix)

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Vezani članci
Sempliranje. Bez sumnje, jedno od najutjecajnijih i najkreativnijih tehnika moderne glazbene produkcije – no istovremeno često omraženo i osporavano
boogaloo nye
Sempliranje. Bez sumnje, jedno od najutjecajnijih i najkreativnijih tehnika moderne glazbene produkcije – no istovremeno često omraženo i osporavano